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Thursday, 18-May-2006 17:36 Email | Share | Bookmark
Persepolis - Part 2

Hall of 100 columns
Hall of 100 columns
 
 
 
 
 
 
 
 
 
 
 
 
 
 
The audience scene. The king in the center, a servant with a fan
the king's weapon carrier, and a guard behind him.
Some of the soldiers.
One of the entrances shows the king on his throne, with fifty so
with fifty soldiers.
 
 
 
 
 
 
 
 
 
 
Hall of 100 columns
 
Hall of 100 columns
 
 
Hall of 100 columns
 
 
 
 
 
 
 
 
 
 
Tripylon or Council Hall
 
 
 
 
 
 
 
Sign of starting new year( Norooz)
 
Persians & medians
Persians are Farses Today
Medians are Kurds and Azerbaijanians Today
friendship & peace is our message to the world
 
. It shows a man's head with a bull's body
 
 
 
 
 
 
A relief showing Ahuramazda. This picture shows the high quality
of the decoration.
Tripylon or Council Hall
 
 
the king with attendants
Persepolis (Old Persian Pârsa, modern Takht-e Jamshid): Greek name of one of the capitals of the ancient Achaemenid empire, founded by the great king Darius (522-486 BCE), forty-three kilometers downstream from the capital of Cyrus the Great, Pasargadae.
There are some indications that the site of Persepolis was already a government's center under Cyrus the Great (559-530) and his son Cambyses II (530-522), but there are no archaeological traces of this older phase. However this may be, it seems as if Darius 'invented' Persepolis as the splendid seat of the government of the Achaemenid empire and as its center for receptions and festivals. The wealth of Persia was to be visible in every aspect of its construction. Persepolis was a showcase

The first building phase (dark blue on the map) may have lasted from 518 to 490. Darius' men leveled the ground and created a terrace of 450x300 meters, on which stood a large building (the 'treasury' in the south-east; #2 on the second map) and an audience hall. In the treasury, the booty of the conquered tribes and states and the annual tribute sent by the king's loyal subjects on the occasion of the New Year's festival, were stored. Many people were employed to keep the gold and silver shining: from the Fortification tablets, it is known that in 467 BCE, no less than 1348 people were employed in the treasury.
The square audience hall, which was at the heart of the terrace, is usually called the Apadana (#1). Its eastern stairs are famous for its representation of the people of the empire. (The decoration of the northern stairs, which is roughly similar, is of lesser quality.) The hall could contain hundreds, probably thousands, of people at the same time. It was the largest and probably the most beautiful of the buildings at Persepolis. The seventy-two columns which supported the roof were twenty-five meters high (thirteen can still be seen). The founding inscription reads:
Darius the great king, king of kings, king of countries, son of Hystaspes, an Achaemenian, built this palace.
During this first building phase, a complex system of water channels and drainage was cut into the rocky terrace.
The second phase, between 490-480 (purple on the map), consists of buildings started by Darius but completed in the first years of the reign of his son and successor, Xerxes (486-465). Actually, Persepolis is mostly the work of this king. He tells us in an inscription:
When my father Darius went away from the throne, I became king on his throne by the grace of Ahuramazda. After I became king, I finished what had been done by my father, and I added other works.
The apadana was finished and a small palace was added to the south of the apadana (#3). It is usually called Darius' palace, although he probably did not live to see the building finished. The ancient Persian name was Taçara, 'winter palace'. To the north of the apadana, the Gate of All Nations (#4; also known as Xerxes' gate) was built, which was guarded by a pair of large bulls in the west and lamassu's in the east (a lamassu is a bull with the head of a bearded man). Walls were constructed on the northern ridge of the terrace fortification. In front of Xerxes' gate was a monumental double-ramped stairway (#5), which was designed in such a way that one could only proceed slowly and with dignity.
Above these lamassu's, an inscription was written:
A great God is Ahuramazda, who created this earth, who created yonder sky, who created man, who created happiness for man, who made Xerxes king, one king of many, one lord of many.
I am Xerxes, the Great King, King of Kings, King of countries containing many kinds (of men), King in this great earth far and wide, son of King Darius, an Achaemenian.
Proclaims Xerxes the King: By the favor of Ahuramazda I built this Gateway of All Nations. I built many other beautiful things in Persia. I built them and my father built them. All beautiful things we built, we have built by the favor of Ahuramazda.
Proclaims Xerxes the King: May Ahuramazda protect me from harm, and this land, and whatever was built by me as well as what has been built by may father.
In the next decade, 480-470 (green on the map), Xerxes' palace (#6) was built between the treasury and the apadana. The Persian name was Hadiš, 'dwelling place'. It was twice as large as the palace of Darius. Meanwhile, the western part of the treasury was reconstructed; this part became known as the harem (#7). The women lived in their own rooms, situated around a spacious courtyard. In these years, the treasury -probably not big enough to store the booty of Xerxes' successful wars- was enlarged to the north. Many buildings were built on the southern edge of the platform; they may have been magasins.
In the fourth phase, the Palace of Artaxerxes I and the Hall of hundred columns (#8; red on the map) were added. It was Persepolis' second largest building, measuring 70 x 70 meters. This throne hall was finished by Xerxes' son Artaxerxes I Makrocheir (465-424). At a certain moment, its function was changed and it became a store room, probably because the treasury was again too small to contain everything.
In about 450 BCE, the complex was more or less finished and there was probably no building activity for almost a century.


Persepolis: buildings
1 Apadana
2 Treasury
3 Darius' palace
4 Xerxes' gate
5 Stairway
6 Xerxes' palace
7 Harem
8 Hall of hundred columns
9 Hall of 32 columns
10 Tomb of Artaxerxes III
11 Unfinished gate
King Artaxerxes III Ochus (358-338), who was in a sense the last ruler of the Achaemenid empire, added a Hall of thirty-two columns (#9), a corridor and his tomb (#10). The rock-cut tomb has a relief, which shows the king worshiping before a fire altar; this is inspired by the tombs of Darius the Great and his successors at Naqš-i Rustam, which is one hour's walk north of Persepolis. The corridor connected the Gate of All Nations with the Hall of Hundred Columns; we can imagine how delegations from the subject countries passed through this corridor to bring their tribute to their ruler. On both sides of the corridor were store-rooms.
Artaxerxes III Ochus' successors Artaxerxes IV Arses (337-336) and Darius III Codomannus may have done something to build a large gate (#11); but this gate was still unfinished when the Macedonian king Alexander the Great captured Persepolis in the first weeks of 330 BCE. The buildings of this final building stage are shown in pink on the map. One building can not be seen on the map: a rock-cut tomb that remained unfinished.
Archaeologists found two cuneiform archives. The oldest and largest archive are the Persepolis fortification tablets, 25,000 to 30,000 in number, of which some 2,000 are published and an additional 1,500 were read but not really published. They were written in Elamite, the language of the Persian chancellery, and deal with economic transactions up till 493. Payments are done in kind. The other archive, the Persepolis Treasury Tablets is smaller (139 tablets) but similar to the first one; it describes payment in silver between 492 and 458. Moreover, king Xerxes left a 'letter to posterity' in the harem room, a long but stereotypical text which is known as the Harem inscription.

As we have already seen, Persepolis was taken by the Macedonian king Alexander the Great in the first weeks of 330. He destroyed the palace in April, because he was not yet sole ruler of the Persian empire, and it was too dangerous to leave the enormous treasures behind, where his enemies could recapture them (text). The Palace of Xerxes seems to have received a special treatment, because it was damaged more severely than other buildings; it is likely that the Greek soldiers in Alexander's company had their revenge for the destruction of Athens in 480 BCE. When Alexander returned several years later and saw the ruins, he regretted his act.
Although a new capital for Persis, called Istakhr, was built nearby, the old capital was a mere ruin for the next two thousand years. The local population invented legends to explain the existence of the ruins of what was called Chehel Minar, 'forty columns'.
The first westerner to visit Persepolis was a missionary man from Portugal, Antoine de Gouvea, who noticed cuneiform inscriptions in 1602. Sixteen years later, the Spanish ambassador Garcias de Silva y Figueroa saw the ruins; he must have planned his stay, because he visited the place with an edition of the Greek historian Diodorus of Sicily in his hand.
During the next century, several diplomats interrupted their voyage to the Persian court to see Persepolis, but they were no scholars. Between 1664 and 1667, however, the French travelers Jean de Thévenot (1633-1667) and Jean Chardin (1643-1713) did some serious research. In his Voyage au Levant, Thévenot reached the conclusion that Chehel Minar could never have been the palace of the kings of ancient Persia, because it was too small. The columns he saw, were, in his view, the pedestals of the idols of the Persians. As we have seen, he was wrong, but other observations were correct.
The first to make a real contribution to the study of the ruins and to identify them as the capital of ancient Persia, was a Dutchman, Cornelis de Bruijn (1652-1727), who visited Persepolis in 1704/1705. He made many beautiful drawings, which he published in 1711 in Reizen over Moskovie, door Persie en Indie. His drawings were long considered as the best representations available, until the first photographers visited the place in the twentieth century.

After a dig in 1878, which was organized by the Persian governor of the Shiraz region, the first archaeological research was executed by the Oriental Institute of Chicago: Ernst Herzfeld and F. Schmidt were working in Persepolis from 1931 to 1939. Ever since, archaelogists of many nations have been working at the Persepolis.
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Hall of 100 columns
According to the inscription known as A1Pb, the Hall of Hundred Columns at Persepolis (map was built by the Achaemenid king Artaxerxes I Makrocheir (465-424). This throne hall was Persepolis' second largest building, measuring 70 x 70 meters.
At a certain moment, its function was changed and it became a store room, probably because the Treasury had become too small to contain all treasures that were hoarded in Persepolis.
The audience scene. The king in the center, a servant with a fan, the king's weapon carrier, and a guard behind him. The great king receives the mayor of the palace and a religious official. Probably, this is exactly what happened in the Hall of Hundred Columns: it was audience hall.
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Tripylon or Council Hall


The Tripylon ("triple gate") of Persepolis can be found between the Apadana and the Hall of hundred columns. This suggests that it was built after the completion of these two buildings, but this is no more than a speculation. Other scholars argue for an earlier date. However this may be, the building consists of a central room with approaches to the north (to the Apadana), east (Hall of hundred columns) and south (palace of Xerxes and "palace D").
Several scholars argue that the central hall was in fact a gathering room. They call it the Council hall. Others stress that it is a corridor between three buildings and call it a Tripylon.
The three gates are decorated. On the first picture to the right, we see the king with attendants, leaving to the south; here we see him sitting on his throne, attended by the crown prince.
Both representations are well-known (parallels in a/o in the Palace of Xerxes and the Hall of hundred columns).
This is the northern part of the eastern gate, leading to the Hall of hundred columns. On top, we see Ahuramazda, the most important god in the Iranian pantheon.
One of the capitals of the four columns in the central hall. It shows a man's head with a bull's body. These mythological beings are called lamassu's and originated in Babylonia and Assyria. The Persians adopted them and we can see them in Persepolis in the Gate of all nations. The general idea behind lamassu's is that they warded off evil; therefore, they are usually placed in a gate. This might suggest that the Tripylon was a gate too (and not a Council Hall), but these lamassu's served as capitals, which is unusual (and to the best of the present author's knowledge, unique).
To the north of the building is a flight of stairs, decorated with guardsmen. The Tripylon / Council Hall is to the left. If you descend the stairs, you're close to the Eastern stairs of the Apadana.
http://www.livius.org/a/iran/persepolis/tripylon/tripylon.html


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